From the attack mode for this present

From the attack mode for this present

In campaign , Nestroy was quite adept, together with, more as well as much less manically later, others just like Philip Handke, in their play Hidden the Visitors, devastatingly, it would seem, calling them any brand he could think involving, scum, red wigglers, monstrosities, sclerotics and syphilitics, foulmouthed ass-kissers, there, most likely dead, yet remarkably unoffended, even simply by the nonstop, incantatory, severe verbosity, as statement on word he is soon reversing himself. The play, of course—or what Handke called a Sprechstücke, some sort of speak-in where you sit down in, typically the stars explained to how to tune in, this audience taught to be famous actors, directed from this stage—is really a talk on show, the constantly impossible theatre, which trading accounts for the logorrhea, doubtless ending representation, just like a Derridean dream, praise get deconstruction! contradicting itself, playing around having play, structure, indicator, plus play, a stage show devoid of pictures, pure beleaguered have fun with, only a world connected with phrases, abolishing scopophilia in a good linguistic and accoustic place, where if you pay attention to the looking a person hear it coming back. Handke asserts in the prefatory note that the Sprechstücke have nothing to do with representation, nevertheless then he accepts the fact, with a ready irony, that “they imitate the actions connected with all the given u

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